Director: Daniel Gordon
Subject: Ben Johnson's steroid scandal in the Seoul Olympics.
Canadians who consume a lot of American culture and media, like myself, very quickly develop an inferiority complex. I am irrationally excited when I see the Blue Jays, the Raptors or hockey being discussed on ESPN. It doesn't matter why we are being discussed, I am just happy that we are being talked about. To some this may seem like a case of social-media manufactured generational narcissism, but I see the same reaction from fellow Canucks of all ages; even if the discussion is just thirty seconds on PTI about Jeff Frye hitting for the cycle. So even though I was in utero when Ben Johnson set the 100m dash world record and had it taken away during the Seoul Olympics of 1988, I have a strong connection to that race; it is literally a nascent moment for my sports fandom.
9.79* is an engaging, well researched, well shot documentary that also confirms every thought my reptilian sports brain has about this race, the use of PEDs in sports and Carl Lewis's assholery. Gordon biggest coup is interviewing all the participants in the gold medal heat and allowing them to paint a thorough picture of the track and field world in the 1980s. These men all provide a different perspective on the race: Desai Williams speaks about being Ben Johnson's teammate, Calvin Smith's effeminate drawl voices the strongest anti-PED sentiments and Robson De Silva's has a zen like view of the past as he hang glides over Rio De Janiero. The two stars of the race and the documentary are Ben Johnson and Carl Lewis and while Johnson's frankness is refreshing, Lewis's slipperiness makes him a much more intriguing character. Lewis's ambitions didn't stop at athletics and in interviews it is clear he is equal parts athlete, celebrity, politician and businessman. He is so interested in protecting himself and his brand that it seems like he is always hiding something. His Machiavellian nature makes him a charismatic heel for this documentary, especially when contrasted with Johnson's frankness, a frankness that is usually only present after someone has already been caught.
The results of the race in Seoul are common knowledge for most sports fans; Gordon recognizes this and doesn't bother hiding those results to construct dramatic tension. Instead he takes information that is public, but not common knowledge and parcels it out in such a way that he creates dramatic tension by obscuring his rhetorical point until the last act of the film when he drops the hammer in a satisfying way. Admittedly, his rhetorical point happens to defend someone who I still consider to be one of Canada's great athletes, vilifies a hated American athlete, plays into my general cynicism about how widespread PED use was and still is and vindicates all the beliefs I've held about Ben Johnson for my whole life. So while others may not share my belief that the final act of the film is brilliant payoff from the restraint shown earlier, Gordon's access and visual style, make the movie one of the most entertaining 30 for 30s and a must watch for fans of the series.
24 years later Ben Johnson's victory and scandal are both two of the biggest in Canadian sports history. It's one of the few stories in Canadian sports history that people around the world remember. Fans of dynastic teams have a wealth of experience to draw back on Yankees fans can root for the current team or be nostalgic about Bernie Williams, Reggie Jackson, Mickey Mantle, Joe Dimaggio and Babe Ruth. When you routinely root for mediocre non-public teams you must cherish the moments in the spotlight you get. In 1988 Ben Johnson had an iconic track and field performances and outperformed a legendary Olympic athlete from our biggest rival, then he tested positive for stanozolol. At least he was the lead story on ESPN for awhile.
Tuesday, October 9, 2012
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